Writer | Translator | Poet
An Irregular Blog
May 16, 2018
A few weeks ago, I came home from a trip to the bookstore with an armload of new books. I laid them out on the carpet to enjoy the sight and feel of them, and the three across in the top row were a volume about invisible inks, one about the Italian Futurists, and a collection of Edmund Morris' essays. I picked up the one about invisible inks first and flipped through it. Then I did the same with the one about the Futurists. As I was setting the second book down, I wondered idly what the Futurists would have done with invisible inks. Poetry with hidden words? Clothing that changed color based on temperature or when splashed with the proper reagent? No matter what they did, they probably would have had all sorts of absurd fun with the concept. Picking up the third book, I wondered what sort of essay Edmund Morris might have written about the Italian Futurists and their crazy, color-changing clothes.
It was only later that I realized I'd stumbled upon an idea generator of sorts; that the juxtaposition of these disparate volumes had caused my mind to look create unexpected and un-looked-for links and connections between seemingly unrelated ideas.
I haven't yet tried the exercise a second time. However, if you feel you're stuck for ideas for a story, you're welcome to try pulling three random books off your bookshelf and to dip in and out of each one until the ideas begin to flow.
To change topics entirely -- Well, that was embarrassing. In a fit of end-of-grad-school fatigue, I mis-dated my last two April posts as belonging to March. The dates have been corrected.
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How to Steal a Story
April 30, 2018
Unlike plagiarism, which is a literary crime, stealing an entire story -- if done correctly -- is an ancient and honorable tradition among writers. Stories get stolen all the time and some writers will even admit to the theft.
Now, let me begin by explaining the proper way to steal a story. First, you have to find a story to covet. It should be one that moved you when you read it; the kind of story that sticks with you, lingering in your mind long after you've shut the book. That's the best kind of story to steal.
The problem is that a nakedly stolen story is easy to spot and is bound to get you caught. If the story moved you as a reader, no doubt it also moved someone else, and many people will recognize it. So there's no sense in trying to copy the stolen story directly. You might as well try to walk off with the Declaration of Independence and hope that nobody notices.
So having stolen a story, you have to disguise it, give it a new coat of paint and file the serial numbers off. You do this by changing everything you can about the story. Switch the protagonist from male to female, move the setting from Europe to Mars. Add another character (or two) and change the critical, climactic event that overwhelms the protagonist. If you do a good job of disguising the object of your theft, the story you end up with will bear no resemblance whatsoever to the orignal story you stole.
In fact, a perfectly stolen story does nothing more than evoke the spirit of the original in your mind, and spurs you to create something so new, so different that the resulting story is totally unlike the one that caused it to be written. Inspiration, rather than plagiarism. That's the only way to steal a story.
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And So It Ends
April 30, 2018
I'd been nose-to-the-grindstone for two months, editing my thesis drafts, discussing ideas and changes with my advisor. Then in a single week, everything changed. My final draft went before the committee on Monday; Thursday I got their comments back. I made a couple of minor changes that evening, got my thesis printed and bound on Friday. Saturday, I turned it in to the program director at the student reading. And just like that, I was pretty much done with graduate school. Now that the semester is over, I'm just waiting for them to mail me my diploma. Three years, two masters degrees, and now I'm suddenly no longer in school. I gave myself a week to relax and celebrate, but as of today, it's back to real life and real work.
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April 06, 2018
Stephen King says it's important for a writer to also be a reader, and is famous for reading wherever and whenever he gets a chance, such as while waiting in lines and before a movie starts. I agree with King, but feel it's equally important to develop the habit of writing wherever and whenever one gets an opportunity. The practice of stealing moments to jot down a couple of sentences builds the writing equivalent of quick-twitch muscle fibers, forcing the writer to clearly marshal thoughts and get them on paper. Used as a stimulant, time pressure can be used to improve prose style.
But the words written down in stolen moments can't simply be left on the paper. To be useful, this practice writing has to be examined to see where it's weak or where an unclear thought or imprecise word has crept in. These paragraphs, written while waiting for my car's oil change to finish, was covered in cross-outs that have been removed in editing. I hope that as I improve in the practice of stolen writing, the number of cross-outs will decrease.
Learning to write exact first drafts also helps also in the editing. The closer the words in the rough draft are to their intended meaning, the fewer changes needed in revision. As with target shooting, the stolen-writing writer's first-draft slogan should be "Aim small, miss small."
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Keeping a Daybook
March 20, 2018
Merchants sometimes keep a daybook--a book in which they record transactions as they happen, so they can be transferred to the formal account books later. For almost a year now, I've been keeping the literary equivalent. Each day, I note the weather, important events, and even mundane items such as whether I worked out that day. It's been a rewarding practice in many ways. For example, I can tell you that on December 22, 2017, it was cloudy and unusually warm (in the mid 50s), that I walked for 45 minutes on the treadmill at the gym, and that in the evening I went down to DC to have dinner with my wife.
But my daybook is more than a simple diary, because I also use it to record ideas for stories and articles and essays, to capture snippets of conversations overheard, and to ask myself questions about plot points and characters. Philosophical thoughts are written down. Habits are built through keeping track of my daily progress toward my goals. It's single place where I can capture information on many different topics on the fly as the day goes on. Some people use apps on their phone, I use a black, hardbound notebook.
I can't say whether one method--digital or analog--is better than the other. But I can say that the act of keeping a daybook has been beneficial. It might be something to consider in your own writing life.
The end of graduate school is rapidly approaching, and I hope to be soon re-vamping this website. As the new pages go up, please let me know what you think of them.
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February 15, 2018
The Chinese call essays suibi, which can be literally translated as "wandering brush" or "following the brush." In classical Chinese literature, suibi are often collections of short, miscellaneous articles--the report of a particularly enjoyable party, a description of a recent antique purchase, an analysis of the literary allusions of a two-hundred-year-old poem. This time around, I'm going to embrace that miscellaneous quality to give a collection of random thoughts this time around:
I've been a big fan of commonplace books for a long time. In fact, the first article in my Digital Renaissance Man series was about keeping a commonplace book. Besides their use as a source of quotations and inspiration, commonplace books can reveal a lot about your personal interests and priorities. Examining the topics you've created inside your book, as well as how many entries you have in which category, shows where your interests lie and how deep those interests are. For example, I naturally have quite a few entries about writing and poetry, but it turns out I also have quite a bit of material related to government and motivation/taking action. So I'm apparently quite interested in these topics but wasn't aware of this until I cast an eye over my commonplace book, looking at it on the level of a whole work and not just a collection of thoughts and quotes. If you keep a commonplace book, it might be worth it do do the same and see what unexpected insights it might give into your old mind.
To control something, you have to be aware of it in the first place. For example, when I decided I wanted to lose weight, I started counting how many calories I was eating each day. At first, I just noted the numbers down. But after finding out from the doctor how many calories I needed to eat per day to reach and maintain my target weight, I continued counting calories, stopping when I hit my goal for the day. I lost 20 pounds over the course of six months. And at the beginning of the year, the doctor said I should reduce the amount of sodium I was eating. So I added sodium counts to my daily calories count. And sure enough, the amount of sodium I was putting into my body went down once I saw how much I'd been eating. So as I continue to try to get rid of bad habits and replace them with better onces, it seems that keeping track of my successes and failures will be an important part of the process.
The days are definitely getting longer. And even though it's still as cold as it was in the dead of winter, that extra bit of light is a fore-taste--a promise perhaps--of the spring to come.
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What We Leave Behind
January 8, 2018
The wallpaper on my computer is currently a picture of the tomb relief of a nameless member of the d'Aluye family of France who died sometime in the mid-1200s. He lays there, hands clasped in prayer over his chest, his chain-mail gauntlets and coif turned down. Probably a crusader, the first thing my wife and I noticed was that the sword on his hip had a Chinese hilt. According to the Met's Cloisters gallery in New York City, he may have bought/acquired the sword in the Holy Land. While his name is gone, I was able to take his picture in the Cloisters seven-hundred years later. Looking at the image got me thinking, though, about what we leave behind in the world.
As a writer, I realized the only things that might linger on in history after my death are the words I've written. So I sat down and wrote out my bibliography as of January 2018. Looking at it (it's posted up and to the right with the other permanent links), it's both bigger and smaller than I thought it would be. Smaller, in that it's really not that long for someone who's been writing as long as I have. Bigger, in that it covers more genres of writing than I assumed I'd written in.
It seems to me that as writers, there are two ways to have an impact on the world through our writing: quality and quantity. Quantity--the number of times we're published--isn't entirely within our own power. It relies on things such as chance and editorial preference. Quality, on the other hand, is something we can control. Isaac Asimov wrote that authors should have integrity and always produce the best work they can. I agree. In the end, I may not leave behind a large body of work. But I'll do my utmost to make each and every piece in it as well-written as I can.
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© 2018 Andrew Gudgel
andrew (at sign) andrewgudgel.com
This page last updated on 20180516.