Irons in the Fire February 26, 2020 About a year ago, I wrote about Jung and his two different kinds of creative neuroses[1]. I'm definitely the kind of writer whose cup is always "overflowing" with the creative urge and so have to deal with it through daily writing. But even I have times where I'll suddenly lose energy on a project, where looking at the tail end of what I wrote the day before gives no hint of what I should add to it today. I look at the paper (or the screen) and after a few minutes of fruitless staring, set it aside or close the file. And if I only had that one project to work on, I'd be in trouble. However, I try to have several irons in the fire simultaneously, so that if I'm stuck on one project, I can simply pull another out and work on that. On occasion, I've had to look at two or three projects before I found one that I felt like diving into, but I've never had it happen that there was nothing I couldn't productively work on. This is hardly a new idea. The early 20th Century lecturer Edward H. Griggs wrote in his book The Use of the Margin[2]" that both da Vinci and Goethe understood the secret "of turning from one form of action to another, without wasteful friction, and making the second action rest you from the first." Having multiple projects means, too, that each is in a different stage of writing--one just needs to be polished and sent out, one is fully drafted, one is a rough draft, and one is little more than disjointed paragraphs. If I realize that I don't feel like looking at an early draft of one project, I can simply turn to another that requires more editing work. Or if I feel I've gotten stuck at a plot twist in one story, I can turn to an essay instead. There are downsides, of course, to having many irons in the fire. One is that it's quite possible to have a project peter out part-way through, die on the vine, and never get finished--a problem I admit I'm prone to. Another is that it's easy to run away from all your current projects by "starting" yet another. I try to control this by limiting the number of active projects I can have at any one time. Currently, that's one translation project, two non-fiction projects and two fiction projects, for a total of five. Project number six gets sketched out, but I don't allow myself to actually begin writing it until the appropriate category has an opening. I do allow for short, pop-up projects--like this blog post--ones I can finish in a day and which don't count towards my total number of active projects. This lets me add even a bit more variety in my usual routine. As with all writing advice, this may not work for you. But try keeping a couple of irons in the fire and see how it goes. Your productivity may actually increase. [1] https://www.andrewgudgel.com/blog/empty-cups-and-silent-muses.txt [2] https://archive.org/download/useofmargin00grig/useofmargin00grig.pdf (c) 2020 by Andrew Gudgel email: contact [at] andrewgudgel.com